|


















| |

Performing Rights Organizations at a Glance
The primary purpose of performing
rights organizations is to issue blanket licenses to radio stations, television
stations, and nightclubs and to collect performances fees on behalf of the
songwriters and composers. The performing rights organizations then distribute
the collected fees to the songwriters and publishers using a method known only
to the inner sanctum of their organizations.
There are primarily three
performing rights organizations in America: ASCAP, BMI, and SESAC.
 |
ASCAP, which was started in 1914 by Victor Herbert
and some other composers, was created out of the necessity to bring order to a
chaotic marketplace where composers and publishers had no idea when and where
the songs were being performed. ASCAP serves as a clearinghouse for copyright
owners to solve problems associated with the licensing of public performances
of music. Today, ASCAP represents approximately 33,000 composers and 14,000
publishers. |
 |
BMI is a not-for-profit organization formed in 1939
whose stock is owned by members of the broadcasting industry. BMI, which
operates in the same manner as ASCAP, represents approximately 75,000
songwriters and 44,000 publishing companies. |
 |
SESAC, founded in 1931 and predated the ASCAP radio
strike by roughly 9 years, is the second oldest United States performing
rights organization. The refusal of radio to play ASCAP records during the
strike gave rise to SESAC. |
You have been given the basics and a
starting point, go from there! 
|