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Performing Rights Organizations at a Glance
 

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Performing Rights Organizations at a Glance

The primary purpose of performing rights organizations is to issue blanket licenses to radio stations, television stations, and nightclubs and to collect performances fees on behalf of the songwriters and composers.  The performing rights organizations then distribute the collected fees to the songwriters and publishers using a method known only to the inner sanctum of their organizations.

There are primarily three performing rights organizations in America:  ASCAP, BMI, and SESAC.

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ASCAP, which was started in 1914 by Victor Herbert and some other composers, was created out of the necessity to bring order to a chaotic marketplace where composers and publishers had no idea when and where the songs were being performed.  ASCAP serves as a clearinghouse for copyright owners to solve problems associated with the licensing of public performances of music.  Today, ASCAP represents approximately 33,000 composers and 14,000 publishers.

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BMI is a not-for-profit organization formed in 1939 whose stock is owned by members of the broadcasting industry.  BMI, which operates in the same manner as ASCAP, represents approximately 75,000 songwriters and 44,000 publishing companies.

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SESAC, founded in 1931 and predated the ASCAP radio strike by roughly 9 years, is the second oldest United States performing rights organization.  The refusal of radio to play ASCAP records during the strike gave rise to SESAC. 

You have been given the basics and a starting point, go from there!

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